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December 5, 2003
PRESS
CONTACT: |
| Esther SanSaurus
212.621.6323
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Jim
Steinblatt
212.621.6318
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36th ANNUAL ASCAP DEEMS TAYLOR AWARD WINNERS ANNOUNCED
New York, NY …December 5, 2003.
The American Society of Composers, Authors & Publishers
honored the winners of the 36th Annual ASCAP Deems Taylor
Awards for outstanding print, broadcast and new media
coverage of music at a special reception on December
4th at the Walter Reade Theatre in New York City. Over
the years, tens of thousands of dollars have been distributed
in cash prizes to winning authors, journalists and broadcast
producers and personalities.
The ASCAP Deems Taylor Radio Broadcast
Award honored the WFMT Radio & WFMT Radio
Network host & producer Steve Robinson for innovative
music programming. Cited in the Television Broadcast
category are Live By Request and A&E Television
Networks (A&E Executive Producer, Delia Fine; A&E
Producer, Emilio Nunez; Creator, Tony Bennett; Executive
Producer/Creator, Danny Bennett; Executive Producer/Creator,
Paul Rappaport; Executive Producer, Andy Kadison; Executive
Producer, Jodi Hurwitz; and Supervising Producer, Mitch
Maketansky). The ASCAP Deems Taylor Internet
Award honors the outstanding web site, All
Music Guide (www.allmusicguide.com), an Alliance Entertainment
company.
The Timothy White Award for Outstanding
Musical Biography cited Richard Sudhalter for his book,
Stardust Melody: The Life and Music of Hoagy Carmichael,
published by Oxford University Press. This award was
established last year to honor the memory of Billboard
Magazine editor Timothy White, who passed away in early
2002. Mr. White was himself a former Deems Taylor recipient,
and was the writer of acclaimed biographies of Bob Marley,
Brian Wilson, and James Taylor. White's widow, Judith
Garlan, was on hand to make the presentation to Sudhalter.
In addition, folk/jug band legend Jim Kweskin and vocalist
Samoa Wilson performed two Carmichael classics ‚ "Lazybones"
and "Star Dust."
The authors and publishers of the six
books who were honored are:
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Alfred Appel Jr.
for Jazz Modernism: From Ellington and Armstrong
to Matisse and Joyce, by Alfred A. Knopf, Publishers
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Larry Hicock for
Castles Made of Sound: The Story of Gil Evans,
by Da Capo Press.
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Lise A. Waxer
for The City of Musical Memory: Salsa, Record
Grooves and Popular Culture in Cali, Colombia,
by Wesleyan University Press.
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Charles M. Joseph
for Stravinsky and Balanchine: A Journey of
Invention, by Yale University Press.
-
Arthur Berger for
Reflections of an American Composer, by
The University of California Press.
-
Allen Shawn for
Arnold Schoenberg's Journey, by Farrar,
Straus & Giroux, Inc.
-
Michael Hicks
for Henry Cowell: Bohemian, by University
of Illinois Press.
The ten writers and editors of journal,
magazine and newspaper articles, program notes and/or
liner notes and their respective publishers who were
honored are:
- Alan Light for his three articles,
"The Missing," published in the New
Yorker, "Song of Solomon," in GQ
and "Behind Blue Eyes," in Spin.
- Eli Attie for his three articles,
"Paul and George, Yesterday Meets Tomorrow,"
"Notes from the Velvet Underground," "Emitt
Rhodes: Lost & Found," by published by
The Washington Post.
- Ashley Kahn for his liner notes,
"John Coltrane: A Love Supreme," issued
by Verve Music Group.
- Jim Dulzo for his article, “Music
Mental Illness Prison,” published by JazzTimes.
- Laurence Hobgood for his article,
“The Art of the Trio,” published in
the JVC Jazz Festival Program – New York.
- Austin Clarkson and David Holzman
for their article, “Stefan Wolpe: Compositions
for Piano,” issued by Bridge Records,
Inc.
- Mark Gresham for his article,
“Sounds Like Home,” published in Creative
Loafing.
- Clarke Bustard for his article,
“A Case for Early Music Education,”
published in The Richmond Times-Dispatch.
- Ralph P. Locke for his article,
“What Chopin (and Mozart and Others) Heard:
Folk, Popular, Functional, and Non-Western Music
in the Classic/Romantic Survey Course,” published
by Ashgate Publishing Ltd.
- Lewis Rowell for his article,
“New Temporal Horizons and the Theory of Music,”
published by University of Nebraska Press.
Winning author Arthur Berger, who passed
away in October at the age of 91, was represented at
the ceremony by his widow, Ellen. Professor Berger was
remembered with a performance of his Duo for Cello and
Piano, played by cellist Allen Alexander and pianist
Trudy Chan.
In addition, ASCAP Deems Taylor Special
Recognition Awards were presented to Jim
O'Neal and Amy Van Singel
for their book The Voice of the Blues: Classic Interviews,
from Living Blues Magazine, published by Routledge;
Steve Reich for his book Writings
on Music 1965 - 2000, published by Oxford University
Press; Jon Garelick for his article,
"Giving Jazz the Business: Can Major Labels Make
the Music Pop?" published in The Boston Phoenix;
and Douglas McLennan for ArtsJournal.com.
The members of the ASCAP Deems Taylor
Awards Panel are Charles Dodge, Julie Flanders, Deborah
Frost, John Wesley Harding, Larry John McNally, Richard
Miller, Frank Oteri, Paul Moravec, and Matthew Shipp.
Established in 1914, ASCAP is the world's
largest performing- right organization, with over 170,000
composer, lyricist and music publisher members. ASCAP
is committed to protecting the rights of its members
by licensing and collecting royalties for the public
performance of their copyrighted works, and then distributing
these fees to the Society's members based on performances.
ASCAP's repertory spans the entire spectrum of music
from pop to symphonic, rock to gospel, Latin to country
to jazz, rhythm and blues, theater, film and television
music. ASCAP's Board of Directors is made up solely
of writers and publishers, elected by the membership.
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