| For the third time, ASCAP
was a participant in the annual Flanders International
Film Festival in Ghent, Belgium. One of the
principal components of this festival is the
recognition and celebration of orchestral film
music, and events included several music seminars,
the second World Soundtrack Awards, and a special
concert of orchestral film music.
This year, composers from ASCAP and affiliated
societies swept the awards: Howard Shore received
the Award for Best Original Soundtrack for Lord
of the Rings: The Fellowship of the Ring,
as well as an award for his score to the indie
film Spider. Other winners were: Patrick
Doyle (PRS): Composer of the Year for Gosford
Park; Randy Newman: Best Original Song
Written Directly for a Film for "If I Didn't
Have You" from Monsters, Inc.; Klaus
Badelt (GEMA): Discovery of the Year for The
Time Machine. And in a special presentation,
legendary producer and composer Sir George Martin
(PRS) was presented with the World Soundtrack
Academy's Lifetime Achievement Award.
A concert featuring the Belgian National Orchestra
and celebrating the film scores of PRS composer/conductor
George Fenton, and the late ASCAP composer Georges
Delerue, whose music from several Francois Truffaut
films was conducted by SACEM composer Jean-Claude
Petit and SABAM composer/conductor Dirk Brosse,
followed the ceremonies. Brosse also presented
a medley of Martin's work from the Beatles film
Yellow Submarine.
ASCAP Senior Vice President Nancy Knutsen,
who serves on the Advisory Board of the World
Soundtrack Academy, was again asked to moderate
a series of seminars, including panels featuring
composers and music industry executives from
throughout the world. Panelists included PRS
composers Stephen Warbeck, who also presented
the keynote address, David Julyan and George
Fenton, along with ASCAP composer Jeff Rona,
who also served on the Festival's Film Jury
this year. Air Edel's Maggie Rodford of London,
along with representatives from Milan Records
in Paris and Colloseum Schallplatten in Munich,
joined American agent Charlie Ryan and others
to discuss soundtracks, differences in working
in Europe as opposed to the United States, and
many other issues. The audience of several hundred
professional and student composers and industry
representatives from throughout Europe listened
to simultaneous translations of the discussion
into several languages. |