February - March 2003

ASCAP ACTION

• Lyrically Speaking

Inside Music: Featured Readers

ASCAP Inside Music is a monthly email newsletter that contains music business news, advice, opportunities, and useful information exclusively for ASCAP members. Each edition ends with a quiz on songwriters and music in the ASCAP repertory, and we are pleased to feature some of the past quiz winners in Playback. For our inaugural installment we interviewed ASCAP members and . If you would like to receive Inside Music, go to the ASCAP website to register your email address.

BaumanSteve Bauman: I've been lucky enough to wear three of those hats - songwriter, composer and publisher.

I work mostly in film and TV, and do quite a bit of source; I've written in styles from rock and rap to mariachi and marching band.

I do play live occasionally, recently I've been holding the keyboard chair in Solomon Burke's band.

My major influences are Stevie Wonder, Paul McCartney, Bill Withers, Louis Armstrong, Me'Shell Ndegéocello, Earth, Wind & Fire, Stravinsky, Prince, Chester Thompson, Steely Dan, George Gershwin. Mentors: Emil Richards, Ira Hearshen and Cat Gray.

I've performed live with Teena Marie, Patti Brooks and Ike Turner, been on studio sessions for Chaka Khan and Thomas Dolby, written cues and songs for "Touched By An Angel," "Dawson's Creek" "Ed," Soul Food and Backflash, performed trailer music for Disney's Inspector Gadget 2 and scored the films Blink Of An Eye and (the recently completed) Hellborn.

Solomon has recently released an album so we're supporting that with some live dates, another Disney trailer for George Of The Jungle 2 and I'm scoring a comedy film, Bachelor Man.

ChukermanAndrew Chuckerman: I'm a composer, songwriter, orchestrator and keyboardist originally from Chicago, and currently working in Los Angeles.

I'm very fortunate to enjoy a busy and varied career that straddles many mediums - film, television, recording, symphonic concert work and musical theater, all of which allow me to compose and perform in virtually all styles of music, from pop, R&B, and country to jazz, classical, latin, and gospel.

My influences are Gershwin, Porter, Rodgers & Hart, Arlen, Kern, Ellington, Stevie Wonder, Paul Simon, Carole King, Joni Mitchell, Elton John, Lennon/McCartney, James Taylor and Jimmy Webb. I also have a passion for Chopin, Rachmaninoff, Ravel, Prokofiev, Stravinsky, Copland, Korngold, and Herrman, Arthur Rubenstein, Vladimir Horowitz. Art Tatum, Oscar Peterson, Bill Evans and George Shearing. My mentors were the late Dick Grove with whom I studied orchestration and the late Lucille Gould with whom I studied piano.

I'm the composer and co-lyricist of the musical, The Princess and the Black-Eyed Pea, with libretto and co-lyrics by fellow ASCAP member Karole Foreman. Presented in the ASCAP/Disney Musical Theatre Workshop in its early development, The Princess and the Black-Eyed Pea has garnered the Richard Rodgers Award and the Jonathan Larson Performing Arts Foundation Award. Various numbers from the show have enjoyed performances by Grammy winners Al Jarreau, Stephanie Mills, Tony-winner Lillias White, along with symphonic commissions at Carnegie Hall, the Danish Radio Concert Orchestra, and Madison Square Garden. The musical will be enjoying its world premiere at the Alliance Theatre in Atlanta during the 2003-2004 theatre season. My film and television work has included composing and keyboard work on television's "Murphy Brown," "The Wonder Years," "Even Stevens" (currently on ABC and Disney Channel) and the feature film, Tombstone, and I am also a past participant of ASCAP's Film Scoring Workshop.

Having accompanied a wide range of artists including Stevie Wonder, LeAnn Rimes, Johnny Mathis, Carole King, Diahann Carroll, and Maureen McGovern, I am proud of my keyboard work on Rod Stewart's standards album, It Had to be You, for Clive Davis' J Records.

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Playback : February - March 2003
ASCAP Playback

 

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