ASCAP honors Jermaine Dupri
in recognition
of his groundbreaking achievements
influencing the
direction of American popular music
and impacting
the heart, soul and sound of pop music worldwide.
“As a child growing up and thinking about doing
this, you set goals, but you never really know when
you
reach them,” says Jermaine “JD” Dupri.
Executive, producer, entrepreneur, artist, and most
significantly, songwriter, with The Golden Note Award,
Dupri joins an elite circle of ASCAP luminaries which
includes Stevie Wonder, Sean “P. Diddy” Combs,
Jimmy Jam & Terry Lewis, Jay-Z and Elton John.
Among his
recent high-profile projects are the four key
tracks he co-wrote and produced on Mariah Carey’s
#1 release, The Emancipation of Mimi. This follows
another sterling achievement: four Grammy nominations
for three songs on Usher’s Confessions. Dupri
is the first producer ever to reach #1 simultaneously
on Billboard’s pop, R&B and rap singles
charts with three different records, and last year
he held five prominent chart positions concurrently
for songs he wrote and produced, multiple Usher tracks
plus Monica’s hit single, “U Should’ve
Known Better.”
“When you make records, you’ve got to
include everything that’s going on right now” Dupri
reveals. “People love singing as much as they
love rap music. If you can figure out how to incorporate
both and get the most listeners, then these will
be the most successful songs.” He believes
that R&B can become the dominant global genre. “With
the success of Mariah and Usher, you’re seeing
that people need a switch. If we can keep making
records that exceed the limits of where R&B
has been, it can become as international as pop
music.”
As a songwriter,
Dupri recalls his sources of inspiration, from
Quincy Jones and The Brothers Johnson through
the Commodores. “I learned about this music
by looking for samples when I was trying to write
rap, but I ended up listening to the records. Marvin
Gaye definitely influenced my music as did Teddy
Riley and Siedah Garrett. Jimmy Jam and Terry Lewis
were big influences as well, and Lionel Richie wrote
some of the best songs I ever heard.” Like
Richie, Dupri references the narrative perspective
of country music in his songwriting. “If you
listen to some of my records, like ‘Burn’ by
Usher, they’ve got a real country influence.”
With an extraordinary
production roster that includes Janet Jackson,
Aretha Franklin, Jay-Z, Elton John,
Notorious B.I.G., Destiny’s Child and Jessica
Simpson, Dupri injects signature production touches
into the work of artists with their own very distinctive
identities. “That’s what separates a
good producer from a bad producer,” he testifies. “Making
sure when the fans listen to the record that they
hear the artist they love, but at the same time
they feel the influence from the person producing
them.”
With a career
so stellar and so enduring, it may come as a
surprise that Dupri, who produced his first
record at age 12 and founded his own record label
at 19, is only in his early thirties. He followed
in the family business. His father, Michael Mauldin,
helmed a successful tour management business in
the 70’s with acts as diverse as Frank Sinatra,
Cameo, Anita Ward, Earth, Wind & Fire, Grace
Jones and SOS, and Dupri began as a drummer and then
a professional break dancer, performing with Diana
Ross, Herbie Hancock, Run-DMC, Grandmaster Flash
and Whodini. He discovered two young boys with the
same first names, Chris Kelly and Chris Smith, in
Atlanta’s Greenbriar Mall. As the newly-christened
Kris Cross, the duo’s multi-platinum debut, Totally Krossed Out, masterminded, written and
produced by Dupri, launched his Atlanta-based label
So So
Def to a landmark partnership with Columbia Records.
The rise of
Jermaine Dupri parallels the emergence of Atlanta,
Georgia, as the music capitol of the
New South. “Atlanta is so crazy you can’t
even imagine how much music is coming from there,” enthuses
Dupri. “It’s huge, the Mecca of music
right now.” He acknowledges the major changes
he’s witnessed in his hometown over the past
decade. “When I was coming up there was no
rap, R&B was on the down slope, a bunch of things
weren’t working. Now, to see it like it is,
I’m really excited to be a part of it.” He
infers that the fertile scene is still developing. “You’ve
still got room. It’s open for someone to come
and be more creative and to invent something that
hasn’t been heard. Sure, we’ve got a
lot of copycats in Atlanta, but at the same time
there’s folks doing the creative thing and
making a difference.”
As embodied
through So So Def, Dupri’s entrepreneurial
destiny continues to unfold. Among his ventures are
film and television projects, Cafe Dupri and a partnership
with 3 Vodka. In 2003, after a decade with the Sony/Music
Columbia Records organization, his label entered
into an exclusive arrangement with Arista Records
where Dupri became a Senior Vice President. (In 2004,
Arista became a part of BMG under the auspices of
Zomba Label Group.) Most recently, he assumed the
title of President of Virgin Records, Urban Music,
a new label division that includes So So Def and
allows for an expansive role with the potential of
producing select urban artists across the entire
EMI label family. JD has also maintained his own
career as a platinum recording artist with smash
hits like “The Party Continues,” “Money
Ain’t A Thang,” and “Welcome to
Atlanta.” His 1998 solo album, Life in 1472 earned a Grammy nomination, and set to drop on July
19 is Jermaine Dupri Presents...Young, Fly and Flashy
Vol. 1, a compilation of So So Def artists with the
first single, “Gotta Getcha” featuring
Dupri himself.
Despite his
chart-topping across-the-board songwriting successes,
Jermaine Dupri says he hasn’t previously
made his presence known at ASCAP Award ceremonies. “I
told them I was never coming unless I won Songwriter
of the Year or something special. I set that tone
for myself so that I would go home and work hard.
With this award, I feel like I’m being recognized
as one of those guys I always looked up to. I’m
special.”
By Dan Kimpel