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ASCAP today announced the results of its Board of Directors officers elections held on April 29 in Los Angeles. Award-winning songwriter Paul Williams was re-elected Chairman and President for the fourth time, and other officers were announced.

The American Society of Composers, Authors and Publishers (ASCAP) hosted its 32nd annual ASCAP Pop Music Awards on April 29th at the Loews Hollywood Hotel in Los Angeles.

The Songwriter Equity Act (H.R. 1283 and S. 662) has gained an additional co-sponsor in the House of Representatives.

ASCAP composer Julia Wolfe won the 2015 Pulitzer Prize for her oratorio "Anthracite Fields" for chorus and sextet.

Clarinetist and saxophonist Anat Cohen brings her musical worlds together on her seventh album, Luminosa. The Israeli virtuoso instrumentalist and bandleader draws on her love of jazz, Brazilian classics and Choro, and electronica to create an album that is filled with warm, rich original compositions and inventive covers.

The Songwriter Equity Act (H.R. 1283 and S. 662) has gained one additional sponsor in each Congressional chamber, both of them Californians.

Los Angeles-based singer-songwriter Eric Kaz is modest and unassuming but he has a formidable catalogue of songs written over the past four decades.

One of the most critical areas of any mix is in the low end - the frequency area around 200Hz and below. Managing those frequencies isn’t just important for your basses, low brass, kick drums, synths and other keyboards. “Hidden” low-frequency energy can play a role in your overall mix, too.

Find out how the ASCAP Composer Spotlight is creating real opportunities for our members by connecting film, television and video game producers with some of the best and brightest emerging composers.

ASCAP announced the appointment of top digital strategist Alice Kim as the organization’s EVP, Chief Strategy & Development Officer, overseeing development of enhanced services for ASCAP members and its licensing partners.

You've captured the perfect take. But when it comes time to mix, you notice that something isn’t quite right. Maybe it’s some hiss, pickup hum, or a ’plosion on the vocal track. When timeline editing or EQ don’t work, call the plug-in equivalent of sonic mechanics: audio repair software. Here's how.

All of the top thinkers in the digital marketing space believe in the value of killer, owned content to market your music. But what are you supposed to say, and when is the best time to say it? Here are nine steps from CyberPR's Ariel Hyatt to help you create consistent content to market your music in 2015 and beyond.